Source: 7digital.com

So, there’s a few bands that always hold a special place in my heart. The Beatles, Radiohead, and fellow head band “Portishead.” This North Somerset band has been rocking my stereo systems since 1994. From Dummy to the Self Titled album we waited a good 3 years. From the Self Titled to Third we waited 11 years. Third being a fantastic album, and being my second favorite of 2008 behind the Fleet Foxes LP. However, it look as if Portishead won’t be waiting too long for their fourth album to come out. They’ve been quoted saying they are in works on the new record as we speak. And for my favorite part of this update. Portishead released a brand new song today called “Chase the Tear” and that’s tear as in a piece of paper, not a tear from an eye. It’s very much in the progression of what you’d expect Portishead to be doing in the studio now a days. Whatever they want.

Check it out here

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Spoon, never failing to produce kick ass album art.

Spoon just realeased a new single from their upcoming album “Transference” which will be coming out in January 2010 called “Written In Reverse”. The song is somewhat a return to form for the band as it’s saturated in familiar piano sounds, drum groove and grimy guitar riffs that feel just as random and haphazard as always. Brit Daniels’ undeniably cool voice has a charm to it in this song as he goes from singing assuredly to yelping unexpectedly. The song sounds as if the band is mixing the old reliables with an even more obvious swagger that hangs over the track like a hot and sexy party. This is a good song that has skyrocketed my expectations for this album.

I’ve been working on a spolight section about bands that are releasing albums in 2010, and so far BRMC and Spoon are part of it among a few others, but as everything seems to be coming so quick, I might break up the original post I was doing and scatter it as the information comes. You’ll find the link to listen to the single on NPR after the image:

Spoon – Written in Reverse on NPR

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Just was dashing around the internet when I stumbled on a band from Australia called “The Middle East.” It seems that they had an E.P. released in October, broke up, then reformed shortly after. So, I guess we are just getting word from them as of now because of that release and member change. The E.P. is called “The Recordings of The Middle East” and other then a title I dig, the music is quite enjoyable. Bearing a close resemblance to bands like Grizzly Bear, Fleet Foxes, Cat power. It’s only suiting that they are opening for both Grizzly Bear, and Cat Power in Australia. Resemblance is quite the help to The Middle East. Listen to two songs on there myspace at This link right here, this one, the one sentence different from all the others.
The Middle East

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We’re gonna play a little game to start things off. First, close your eyes.

Now, you shouldn’t be able to read this if you’re following directions. If you’ve realized after just closing your eyes that you couldn’t read what was to come next, then you can move on. If you never closed your eyes to begin with…. “Good for you, doesn’t change a thing.” – Tyler Durden.

Now, think about how you feel when I say Beach House. Do you see that nice little beach front property from Eternal Sunshine of a Spotless Mind? Do you think of running into the ocean at night just cause you can? Do you feel like there’s something majestic about those two words combined? Beach and House. No? Well, who cares what you think?

So, there’s a little band from Baltimore called “Beach House” and they are quite the dreamy teamy. With Victoria Legrand (the backing vocalist on “Two Weeks” by Grizzly Bear) on her trusty organ and floaty vocals, Alex Scally on Guitar and bgv’s, and a drum machine, Beach House make lite loveable ethereal music. There new album “Teen Dream” will be out January 26th. Make sure you pick it up. But until then, take a listen to their brand new song “Norway” Click here.

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Black Rebel Motorcycle Club have sent out an email to their fans unexpectedly announcing the release date of the follow up to 2007’s disastrous “Baby 81″. The album titled “Beat The Devil’s Tattoo” marks a few things for the band.

First off, its competing for “Most Awesomely Titled Record of All Time, Ever, Period”. Secondly, it marks the bands second occasion in parting ways with their original drummer Nick Jago. The last time this happened we got “Howl” which was a piece of brilliance that the band hasn’t been able to surpass since its release. Fortunately, their upcoming fifth album was written and recorded in the exact same place “Howl” was. Score. Thirdly, this is their first album with their new drummer Leah Shapiro of The Raveonettes. Trash rock and shoegaze fans, get excited.

The album will be released on March 9th in the US, and are following it with a massive tour that will take them from Sacramento all the way to Longirock, Switzerland.

I know this is my first post, and I’m writing up a good opening post to put up soon. I just wanted to get this out as I didn’t see it on very many blogs or radars. Go me.

Great BRMC video below.

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Source: re1000.wordpress.com

So I recently moved from Florida to Brooklyn, New York and I have been exposed to a bit of the local music around here. A lot of it were bands that I had already heard, but there’s been a few that were new to me.  I have for the most part enjoyed the music I have heard, but honestly, a lot of these bands (and their die-hard hipster fans) need to just get over themselves. I think I have less of a problem with their music than I do with how they act like it’s the greatest music ever created. It just seems like anything that isn’t neo-folk, lo-fi, electronic or psychadelic is considered to be inferior music by these people and it really pisses me off.

Don’t get me wrong, I like a lot of these “hipster bands”. Grizzly Bear’s record is great. I dug some of MGMT’s songs (though ANYONE can make songs in Garage Band on a Mac…it’s not that difficult). But I just can’t imagine listening to ONLY these types of bands. But if you ever mention a band that you like that is outside this little musical boundary these hipsters have created (or rather, websites like Pitchfork have created), you are instantly not cool anymore. Take Thrice for example. It’s not really considered cool to listen to a band like Thrice anymore. But those guys have consistently been putting out great music (especially their newest record Beggars) and most of their old fans have missed it because they have “moved on” so to speak. It’s not cool to listen to a band you may have liked 5 or 6 years ago. But that also has a lot to do with the music A.D.D. that the digital age has created (there’s a post on this coming soon).

I try to listen to all types of music (though country music has just never done anything for me), but my favorite kind of music is the kind  where you can hear the passion and/or emotion in the singers voice. Not necessarily emo, but just anthemic and powerful (Tim McIlrath from Rise Against, for example). While this hipster music is great for just chilling out and listening to in a bar or dancing to in a club, it is not inspiring to me at all. I like distorted guitars and a driving beat. That’s the kind of music that excites me. The only band like that right now that it’s considered “ok” to like is Them Crooked Vultures. And for good reason, they are amazing. But I honestly think most of these hipsters just give them lip service because if you ever talked badly about a band that a former Led Zeppelin member is in, you’d be ex-communicated from the musical community.

I guess the point I am getting at is, hipster music is a trend. Just like everything else that came and went before it. From the fact that all the music sounds generally the same right down to the fact a lot their names make animal references (Grizzly Bear, Bear in Heaven, Animal Collective…etc.), it’s all just a trend and its only a matter of time until it isn’t cool anymore. That usually happens right around the time they are widely popular and everyone in the mainstream is suddenly into it. It may already not be cool to like Animal Collective and I missed the memo. Bottom line is, I don’t care. I’ll continue listening to the bands/artists I like regardless of what some skinny jean, American Apparel hoodie wearing hipster has to say about it. You all just keep thinking you’re so elite and on the cutting edge and I’ll just stand back here and laugh at you like I always have.

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At the turn of 2009 when the snow was falling, and all I could do was listen to music and read about music online, a band named “Animal Collective”, which I wasn’t really into, came out with a new record. It was called “Merriweather Post Pavillion” and it was hailed by all music publications and most online reviews to be the best album of 2009. This was in January, and it’s funny how almost true everyone was. With the exception of Grizzly Bear, I feel Animal Collective did come out with one of the best albums of 2009. I loved it.

Now flash forward 8 months, August we hear there may be another Animal Collective release. The bloggers exploded in a joyous praise, asking one question, “Could Animal Collective’s new release be better then the first and or be one of the first bands in a long time to release two great records in a year?”

Flash to September, we find out that the release is coming in November digitally, and then a hard pressing in December. It will be an EP and it’s title would be “Fall Be Kind.” With a statement that the album like most AC albums will have to do with the season it’s released.

Flash to November. “Fall Be Kind” leaked. And I have to say that it’s fantastic. A step forward in the right direction for a band that’s been stepping forward since day one. They’ve been doing this for the last decade, however it’s the best it’s ever sounded at this point. With trippy time signatures, swirling crystal-like sounds, and their unique use of vocal arrangements, this EP is definitely the best EP of the year.

In retrospect, Animal Collective have come out with two of the best releases this year. If you don’t own “Merriweather Post Pavillion” get it. And when this album get’s it’s official pressing in December, I’ll be encouraging everyone to go pick it up. But until then take a listen to my favorite song on the record. Click here

Fall Be Kind

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Alright everyone. There’s a little band from NJ called “Real Estate” and they just released a new record called “Real Estate.” Crazy right, I mean who names their album after their own band. But even with the same mundane self title that every band in the world does, this record is not at all mundane. Quite dreamy, reminds you of summers at the shore, or just rocking out with your friends in the suburbs. New Jersey being most of the subject matter on this album, Real Estate do everything they can to boast about how awesome Jersey is. Included with this album you hear about mini-malls, highways, suburbs, beach shores, and snow fall. If you’ve never lived in NJ, listen to this album and you will get the full spectrum of what the garden state really is. Check out some songs from the album  at http://www.myspace.com/letsrockthebeach

Keep talking.

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So, after seeing As Tall As Lions and Mutemath on Friday I’ve come to the conclusion that if you can’t pull it off live, you shouldn’t be playing it.

As Tall As Lions, being one of my new favorites last year whom I hadn’t seen until now, opened for Mutemath at Nokia Theatre on Friday. I was looking forward to seeing them because of a live video I saw on YouTube. However, the lead singer was flat the entire performance, and the drummer did the same thing every song. It was terrible. It could have been an off night for them, but I feel that when you are performing at Nokia Theatre (a very nice venue) with a pretty popular band, you should work out all those kinks before you present yourself to an audience.

On to Mutemath. I’ve seen them once before and they “blew me away.” However, after seeing them a second time I realized that all the hype of their amazing stage show is bull. They are good musicians, and really talented, however it was boring. They did exactly the same thing Friday night as they did when I first saw them. Here is a Mutemath show in my words:

1. Intro noise
2. First song from new album
3. Second song from new album
4. Jam / Drummer picks up cymbal while playing
5. Old Song
6. Lead singer jumps on rhodes while playing the keytar
7. Lead singer feet in the air while playing rhodes
8. Jam
9, 10, 11, 12, 13, 14 Same song as the next, with musicians FREAKING OUT!!!

Fun, but no cigar

Just forget everything you know, and go see a real band. Like The Dead Weather.

Is that you choking?

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If you haven’t heard the new Thom Yorke or Radiohead songs, you’re missing out. Here is a list of everything you should own:

TheHollowEarth
FeelingPulledApartByHorses
All For The Best
Hearing Damage
These Are My Twisted Words
Harry Patch (In Memory Of)

Watch this video, it’ll make your eyes fall out.

The Hollow Earth – Thom Yorke video

Also, MuteMath and As Tall As Lions played Friday night here in NYC, and I just so happen to have been there. Expect pictures soon. Listen to MuteMath’s new record “Armistice” …here

or As Tall As Lions new album “You Can’t Take It With You” …here

I like their self titled album better though. Well, until next time, keep talking.

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